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Using a cooking analogy, consider the Looks QuickDrawer a library of recipes you can pull from and apply to your clip immediately.
The QuickDrawers are windows that slide in and out, giving the editor a quick peek at either the preset Looks (located on the left side of the interface) or the individual tools (right side of the interface). This greatly benefits new users, too, as the Tool QuickDrawer lays out your tools by the process stages. Red Giant has done a great job with this interface, removing any mystery in what’s happening by adopting a graphical interface. Certain tools will correspond only to their relevant process stages, so a general understanding of color timing will help you achieve maximum effectiveness within the Tool Chain. The stages are Subject, Matte, Lens, Camera and Post. Below, you’ll find the new Tool Chain, which organizes your image adjustment tools into different stages to help you make better use of each tool. Both monitors are a necessity for understanding in general terms what you are doing to your image. To the right of the image, you can toggle on and off an RGB Parade monitor or a Slice Graph monitor.
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Looks chooses the still from where our playhead rests in Premiere Pro (you can change this in the Preferences).
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But the LooksBuilder will allow beginners to tinker and learn how to apply these effects with a straightforward building-block approach.Īt the launch of LooksBuilder, a still frame of our video clip is at the top left position. We don’t want to fool you, however, as the practice of color timing and its theory are not at all elementary. It might sound complicated, but it’s far from intimidating, as the LooksBuilder has a new graphical interface that’s incredibly simple to use.
By “Looks,” we mean the grouping of different image adjustments and effects that you tweak within the LooksBuilder to create the final look of that image or video clip. The LooksBuilder is the main software interface for manipulating your different Looks. One drag, one drop and soon we’re launching the LooksBuilder application from the Effects tab in Premiere Pro. We chose to make some outdoor action-sports footage get a Looks makeover. Just like any other effects plug-in, Magic Bullet Looks installs the Looks effect as well as a myriad of Magic Bullet MisFire effects (i.e., dust, scratches and other film effects) into the effects library of your editing software. A few minutes later, we felt confident that this latest version would be much easier to navigate than previous versions.
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We chose to install Looks in Premiere Pro CS3 on our HP xw4600 workstation (2.66GHz Intel Core 2 Quad processor, 2GB RAM, NVIDIA Quadro FX1700 with 512MB video memory). We quickly checked the Help documentation before setting off on our journey.
Magic Bullet Looks is available to both Mac and PC users, and it works with Apple Final Cut Pro and Motion 3, Avid Xpress and Media Composer and Adobe After Effects and Premiere Pro (be sure to check the technical specifications to see which versions apply).
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Throughout our tests, we saw no hiccups that would suggest that an update would chase this initial 1.0.0.0 release. Our installation took just a couple of minutes, and there were no updates at the time. The demo will add a red X watermark across your images as a result, but it’s fully functional and, like any effects software package, it’s extremely fun to play with for hours and hours. You can get your hands on the demo version right away with a 54MB download from Red Giant Software’s website. And, for most of us, it won’t require too much time reading how to do it. If you want to give your video a certain mood or motif or simply make it jump off the screen like never before, Magic Bullet Looks can get you there. Red Giant Magic Bullet Looks is a great jump forward in ease of use and still delivers stunning new looks for your digital video.
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